Can it be patented? Is it copyrighted? Is it even YOURS to USE?
The ongoing fight over digital rights and the DMCA rears up again. Honestly, this is a rather unique time in which we live. Never before in human history could so much be transmitted to so many, across the globe, nearly instantaneously. Back to the DMCA rulings that did quite a number on many “sharing” sites (including this one in a former life), the world of digital and online sharing and innovation is a very fluid and shifting place. Find out more about the Digital Millenium Copyright Act (DMCA).

VHS and then CDs – Copyrights
All of this has only been in action as digital formats and processes have come to the masses. We don’t suspect that there was a huge market for someone to typeset and produce black market books when that was the prevailing technology. Even if one DID print up a huge supply of books, the lingering problem would be what to DO with all those books – and how to profit from it. If there’s no financial reward, there’s really very little incentive. Distribution channels. THAT would have always been the biggest impediment to making it truly financially lucrative.
However, with the advent of digital processes and the ability to replicate digital content and share it quickly and nearly effortlessly, problems HAVE ensued. You can trace the digital beginnings of this back to the introductions of video tape recording – think VHS and video tapes starting back in the late 70’s. When the average Joe could get a copy of the latest movie and sit there with a bank of VCRs and duplicate a movie (“Alien” – remember THAT one???) and sell those tapes off cheap from his trunk? While that isn’t mass production, when there were enough people doing it, it did take a bite out of the pie. While there are cries of “Foul!” on those copyright infringements, our own personal take is that it did end up creating a whole new market for movie distribution – one that the movie industry may not have followed willingly or in a timely fashion. Not everyone wants to go to a movie theater to see the latest picture. But when the movie can come to you? This was a pretty neat concept. Movies continue to be one of the central battlegrounds of copyright infringement.
Fast forward a few years, and the picture became even murkier. The next step was the BBS distribution model. One could find a local BBS – bulletin board service for those too young to remember or know – and gain access to their stashed files. These would often include software as well as other media. Still, it was a local distribution channel and speeds were in the 9600 to 14.4K range. STILL pretty sluggish based on today’s standards. But it WAS doable. One had to find these local repositories, gain access and then wait what would amount to days to get large amounts of data down. Anyone remember “download managers”? No, not the ones like we see today that are there primarily to slap a new toolbar on your browser or feed you advertising, but the ones that could pull multiple streams of data to increase the overall download speed – and resume your data pull after your ISP decided you had been connected long enough and terminated your connection. With a standard “save as” type of download, your computer would want to start at the beginning all over again if the data transmission was broken. This could lead to a whole LOT of frustration after watching something download for an extended period – only to have a disconnect negate the whole thing. Again, bearing in mind some of these downloads could literally take DAYS, one could expect their data flow to be interrupted dozens or more times. Download managers were an absolute necessity.
Once the internet as we know it today came into being and directly into people’s homes, there was now a quick and easy distribution channel that was worldwide. Almost anyone could rip the newest song from a CD and post it – and have it available for download from the other side of the globe – all in about 20 minutes. Back in the days of kick*ss 9.6 (we actually DO remember using a 300 baud modem – we’re showing our age now…), downloads like this could have taken days, nonetheless, the technology was there. Now it isn’t just Joe sitting there producing 200 copies of a tape, CD or DVD and selling them, it’s someone making a rip of a piece of data and posting it somewhere – for immediate global acccess. With cable modem speeds available throughout the world, one can now download a whole movie in minutes.

We WANT this girl to be able to listen to HER music!
As it is, there will always be a black market out there for all types of media – be it software, information, videos, or music. We personally don’t think that will ever be eliminated. There will ALWAYS be the fringe element. Broke people do what they have to do. Some people just like the feeling of getting one over on “the man.” But we believe that the majority of people, given the opportunity to acquire digital media at a reasonable price, without a whole lot of muss and fuss, are more than HAPPY to go down that path. One only has to look at the unrivaled success of iTunes to see that in action. Streaming services from Redbox and Netflix are great solutions that serve a need, are cost effective for consumers, and are easy to use.
One thing that we DO like is that there ARE legitimate places now that one can acquire and enjoy digital media on a paid and authorized basis. See above. When there are big ol’ elephants in the room, think MPAA and the RIAA in particular, that seem to be intent on keeping things as they are and as they “have always been”, there will be a whole lot of head butting. Only by embracing changes that come as a result of new technology and coming up with common sense innovations and monetization streams, will organizations like this truly serve the public interests – and those of the people that they serve. By trying to impose more and more Draconian DMCA type rules and legislation, we personally feel that those organizations look more short-sighted and truly just lack the foresight needed to be viable players going forward. If ideas such as those put forth in the past by the DMCA were followed in OTHER areas – “We’re sorry, that refrigerator you bought a couple years ago – and now that you’re moving – well, you can only use that fridge in the old house. You’ll need to buy a new one.”
Technology only advances, it doesn’t take a step back – short of that zombie apocalpyse we’re expecting any day now… If a business plan doesn’t take into account existing and developing conditions, it’s bound to fail. When any company or organization tries to force something on the public that doesn’t meet their needs, it will fail.
Here’s a blit from American Songwriter on current DMCA practices and directions. Seriously we DO want songwriters and performers to get proper monetization from their efforts. If Toby Keith hadn’t made a decent amount of money, could he ever have released “Red Solo Cup” – currently one of OUR favorites!
The Future Of The DMCA (And How It Affects Your Copyrights) – American Songwriter
http://news.google.com Wed, 30 Apr 2014 19:18:17 GMT
American SongwriterThe Future Of The DMCA (And How It Affects Your Copyrights)American SongwriterYou may have recently heard about a big to-do in Washington concerning the DMCA (Digital Millenium Copyright Act). Recent hearings evaluating the DMCA’s …
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BTW, since this is our first post since acquiring the site on the topics that got this domain into hot water several years ago, you’re NOT going to find actual torrents here. You will not find L33t downloads or any of that. There is no actual torrent downloading software here – though we’re sure a quick search will help you find some. We love the torrent format and may post links to some of the torrent software apps as we move along, but the content of this site is perhaps NOT what you expected when you came here – so don’t waste your time (or our cpu time) poking around looking for it.